“阿富汗” 共找到 “83” 个相关影视
锁不住的镜头
When the Taliban ruled Afghanistan, taking a photo was a crime. After the regime fell from power in 2001, a fledgling free press emerged and a photography revolution was born. Now, as foreign troops and media withdraw, Afghanistan is left to stand on its own, and so are its journalists. Set in a modern Afghanistan bursting with color and character, FRAME BY FRAME follows four A...
Mohtarama
In 2009, the Afghan Parliament approved the Shia Family Law, which was then signed by President KARZAI. The law restricted women’s freedom, making it illegal for them to exit the house without their husband’s consent or resisting to their husband’s sexual demands. The Afghan women who were against this law, gathered and protested in front of Afghanistan’s biggest religious scho...
亚历山大的遗失世界
Alexander’s Lost World is series cthat follows the course of the River Oxus (Amu Darya) for the first time, It takes viewers on an extraordinary 1,500 mile (2400 km) journey through war-torn Afghanistan and Central Asia. The Ancient Greeks have long been credited for bringing ‘civilization’ to the East. In fact it appears to be the other way round. Alexander the Great discovere...
Khan-etarikh
这部短文电影是由导演QaderTahiti从1993年至1995年八名阿富汗电影摄影师拍摄的未经编辑的新闻片片段中剪辑而成。它结合了对内战对喀布尔市影响的鲜明记录和诗意的叙述，并利用考古博物馆的破坏来代表当时在阿富汗发生的更大的图标主义。
This short essay film was assembled by director Qader Tahiti from unedited newsreel footage shot by eight Afghan Films cameramen between 1993 and 1995. It combines stark documentation of the impact of the civil war on the city of Kabul with poetic narration, a...
重回地狱
只要发生战争，就需要士兵上战场，而一旦战争结束，这些不当士兵的人又会怎么样？Danfung Dennis用他的纪录片告诉我们，即使下了战场，士兵们并没有停止作战，而他们面对的敌人，往往是他们自己。
幕后故事：
本片是导演Danfung的首部纪录片，获得了2011年圣丹斯电影节世界电影纪录片单元评委会大奖。电影以极具冲击力的画面，让观众零距离接触到战争冲突和战后生活，真实展现了人类为战争付出的真正代价。
Danfung Dennis曾是一名摄影记者，多年来一直为报纸杂志提供伊拉克和阿富汗冲突的摄影照片。尽管图片传播范围很广，但他认为这些不足以传达战争的残酷，社会公众早已习惯这些战争场面，他们变得麻木不仁。2009年夏天，他决定带上装备重返阿富汗，期望用他亲眼所见，尽量如实还原战争的本来面目。他当时并没有打算拍纪录片，所以他没有剧本、拍摄计划和资金，只有...
喀布尔，零年
At age 10, Afshin zigzagged through a world shadowed by ******* bombings and superpower influence. As a son of a national force, he fled Kabul at 16 when the Taliban seized control, only to discover the elusive illusion of safety in his new land. Alongside Shukria, Varja, and Fahad, born in Afghanistan, Iraq, and Ukraine, their shared experience, burdened by the gravity of war ...
