Summer 1943. A young 19-year-old man dressed simply in jeans, T-shirt and a red Fedora arrives in New York with just a few dollars in his pocket. His dream is to become the greatest actor in the world. Eleven years later, after appearing in the films such as A Streetcar Named Desire, The Wild One, and On the Waterfront, he earned the title of the greatest screen actor in histor...
A Feature documentary on the late Elia Kazan.
Director Martin Scorsese speaks candidly and passionately about one of his formative filmmaking influences: the late Elia Kazan. Utilizing precisely chosen clips from Kazan's signature films including "On the Waterfront," "A Streetcar Named Desire," "Gentleman's Agreement," "Baby Doll," "A Tree Grows in Brooklyn," "A Face in the Cro...
A tribute and portrait of the Swedish filmmaker Bo Widerberg. Thommy Berggren presents slices and comments on Widerberg.
This interview was done in 2001 and released in 2013 on Criterion Collection's release of On the Waterfront
《狂澜春醒》,也有译《狂野之河》,本名《WILD RIVER》,是美国电影大师伊利亚·卡赞 Elia Kazan的(美国)三部曲之一,知名度不如《SPLENDOR IN THE GRASS》(《天涯何处无芳草》(1961))和《AMERICA,AMERICA》(《美国,美国》(1963)),但都是杰出的现实主义之作。1960年拍峻。
电影瞄准1930年代,1929年经济危机的大背景以及罗斯福针对经济危机的NEW DEAL计划都是关键词。田纳西州的田纳西河,由于时时泛滥成灾,并经历了一次惨绝人寰的大洪水,因此建设水电站大坝,既是解决失业、发展经济的现实之需,也希望就此摆脱洪水的恶梦,当然也是我们异常亲切熟悉的手法。国会因此成立TVA(田纳西谷管理局?),专门负责该流域的整治事宜,及建设水电站坝,力图促进地区发展。但由于水位抬升需要淹没河流中心的一个小岛...
家住密西西比州虎尾县的中年阿奇·李·梅甘和19岁的“宝贝儿”尼·梅甘·麦卡洛伊已经结婚近两年了。他们的婚姻不是建立在爱情的基础上,而是每个人都从对方那里得到了他们想要的。他们的婚姻协议让他们在她二十岁生日那天完成了他们的婚姻,也就是在三天之后,“宝贝儿”并不期待这件事。但她确实用她公开的“宝贝儿”特点来嘲弄他和其他男人,她睡在他们家的婴儿床里,以此来培养自己孩子的一面。如今“宝贝儿”的父亲已经去世,他同意了这桩婚姻,条件是阿奇·李(Archie Lee)为宝贝儿提供经济保障,这一点在南方最豪华的房子里得到了体现。他们现在住在一栋破旧的豪宅里,和她的阿姨Rose Comfort住在一起,虽然阿奇·李正在对它进行一些翻修,但是他已经没有经济能力把它做成宝贝儿想要的样子,就像他的轧棉机一样……