“劳尔·鲁伊斯” 共找到 “86” 个相关影视

但丁TV版——地狱
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1990  

6

但丁TV版——地狱

  A TV Dante, produced by Britain’s Channel Four during the 1980s and aired in Britain in 1990, presents the first eight cantos of the Inferno.
  Co-directed by Peter Greenaway and Tom Phillips. Phillips, a composer, artist and critic, is perhaps best known for his interest in the art of the page. His 1983 translation of the Inferno is used for the production. (The rest of the Infe...

沙地写真
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1991  

10

沙地写真

  A documentary about Pieter Wiersma, a Dutch sculptor who makes sand castles. This short was produced for the TF1 Arts magazine 'Expression'.

AHORATEVAMOSALLAMARHERMANO
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1971  

8

AHORATEVAMOSALLAMARHERMANO

  This fi lm was made during Ruiz’s time as fi lm commissar of Unidad Popular, the union of centre-left parties that ruled Chile with Salvador Allende between 1970 and 1973. It was fi lmed on 28 March 1971 during the large peasant march in Temuco organised to celebrate the law “protecting” the Mapuche Indio people which gave them full citizenship with all the relative rights. Wha...

本质的区分
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1978  

2

本质的区分

  Un essai réalisé pour la télévision où Ruiz essaie de voir le chateau de Chambord sous différentes pers- pectives idéologiques

乡村岁月
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2004  

5

乡村岁月

  《鄉村歲月》為拉烏.盧伊茲在智利結束獨裁政權後返回祖國所完成的一部傑作,根據智利著名文學作品改編而成,影片重現智利昔日上層社會的時代氛圍兼及處理記憶所引發對現實與虛構之討論,敘事活潑大膽,燈光細膩幽微,運鏡優雅流暢,畫面詩意豐沛美不勝收,音樂配置精準無懈可擊,充份展現拉烏.盧伊茲的純熟電影技巧與獨特的創造力,以及他對人情世事的包容理解。

要去做什么!
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1972  

3

要去做什么!

  A Brechtian mix of political fiction, real-life footage and Country Joe McDonald music. In Chile in 1970, a young woman Peace Corps worker becomes involved with a mysterious American 'businessman' and a local revolutionary.

金船

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1990  

3

金船

  The Golden Boat is inspired by American police series, mixed with Mexican soap operas, and immersed in the artistic context of the Underground Art scene of the early 1990s of New York. In the street, a young student of philosophy and criticism at The Village Voice, Israel Williams, meets Austin, an old man hurt and desperately in love with a soap opera star. Although he was sta...

流亡者们的对话
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1975  

4

流亡者们的对话

  智利导演Raoul Ruiz上世纪70年代在法国拍摄的一部实验纪录片,找来一群与自己命运相同的智利流亡艺术家和政治家搞座谈会,有点当年戈达拍《中国姑娘》时期的叛逆感觉,结合了故事与记录手法,其中某某人的谈话很有意思。
  
  The best school for dialectics is emigration. The most penetrating dialecticians are exiles. There are changes that have forced them into exile, and they are interested only in changes. From minute signs they deduce the most f...

强力之魂

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2001  

7

强力之魂

  At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a blacksmith, to Chatillon, a town in Provence. Here, she makes the acquaintance of the wealthy Madame Numance, who is known for her good deeds. Realising that Thérèse is pregnant and unemploye...