“格劳贝尔·罗恰” 共找到 “19” 个相关影视
ProgramaAbertura(TV)
这是一部50分钟的电视纪录片。
Uma das propostas mais ousadas e radicais já apresentadas na televiso brasileira: o programa Abertura. Veiculado durante quatro meses na extinta TV Tupi - entre fevereiro e junho de 1979 - com edies semanais, o quadro era apresentado pelo cineasta baiano Glauber Rocha. Rompendo sem o menor pudor com praticamente todos os tabus televisivos da época Glauber cri...
ADegolaFatal
超八毫米影像记录下巴西电影大师Glauber Rocha 1981年的葬礼实景。
Documentário que resgata imagens inéditas feitas originariamente em super 8 em 22 de agosto de 1981 e que mostram o funeral do cineasta Glauber Rocha narrado por ele mesmo.
巴西新浪潮电影
这是一部诗意的电影，一部专注于巴西电影新浪潮的纪录片。片中采访了众多巴西电影新浪潮导演：内尔森·帕雷拉·德桑托斯，葛劳贝尔·罗查，里昂·赫兹曼，荷昆·培卓·迪·安崔德，鲁伊·格拉，小华特利玛和保罗·塞萨尔·萨拉森尼，由他们带你了解巴西新浪潮电影，展现电影人对艺术始终如一的追求。
Cinema Novo is a movie-essay that investigates poetically the most important movement of Latin America cinema, through the thoughts of its main auteurs: Nelson Pereira dos Santos, Glauber Rocha, Leon Hirszman, Joaquim Pedro de Andrade, Ruy ...
马拉尼昂，1966
《马拉尼昂，1966》是葛劳贝尔.罗查（Glauber Rocha）早年的拍摄的一本习作，格劳贝尔.罗查是巴西新浪潮电影运动的奠基者，上世纪60年代的巴西新浪潮电影运动以“手持摄影机，心中有思想”为创作理念产生了很多反映巴西人民真实生活的现实主义电影杰作，彻底改变了之前的巴西电影只为独裁者唱赞歌不管民生苦难的现象，而格劳贝尔.罗查正是新浪潮运动的忠实跟随者和实践者，同时他也被誉为巴西电影史上最具想象力和创造力的电影大师之一，他的影片常常以隐喻性的影像和独特的摄影角度来尖锐讽刺当权者的虚伪和肮脏，但不管他的影片中是如何的充满着象征或神秘主义的元素，其实质和出发点却永远是深深扎根于现实的土壤之中，这部10分钟的短纪录片在一定程度上代表了他的电影的基本风格。
影片以对比的创作手法来表达思想，刚上台的当选者风光无限，众人推捧与贫民窟中底层人民的痛苦，饥饿和...
GlauberRocha-Morto/Vivo
A TV documentary that covered the funeral of Cinema Novo film director Glauber Rocha, showing the commotion of attendees, paying their last tributes to the genial filmmaker. Also presented here are interviews with the director and clips from his works.
亚马逊，亚马逊
巴西电影导演罗恰只身深入亚马逊丛林，用极具个人风格的影像记录下巴西民族的母亲之河的美景和沿岸土著人的生活景象。
An ordered film, a classical documentary about the beauties and the natural wealth of the Amazon region. We can consider typically glauberian: the lyric ravishment of the takes, and the well characteristic insistence on the nationalistic and progressive concerns of the director, with the concrete presence of the image of w...
一部实验电影
Birri devoted his energies to opposing social class inequalities in Argentina, yet with the Frondizi government ousted by the military, Birri was forced to leave the country in late 1963. While in political exile he traveled throughout Latin America teaching young filmmakers his craft, eventually returning to Rome due to lack of resources. He spent ten years making the little-s...
