费德里科二十多岁,一个人住在布宜诺斯艾利斯。他祖母去世的那天,他决定和他的女朋友玛格达分手。他害怕伤害她。但当时间到了,她就打败了他。她懒散、精力充沛,甚至连受伤的感觉都没有。然而,尤其是当他得知她已经有了新朋友时。但后来他在最近去世的祖母给他的冰箱里找到了土豆刀,一切都变了。雷杰曼的舞台是阿根廷社会的缩影,他用一个稀少的故事和一种无视复古现实主义的指导性方法,以精心创作的图像来破译。雷杰曼属于阿根廷电影的新浪潮,在20世纪90年代中期首次在欧洲获得认可。据弗吉尼亚大学的罗克奥戈登博士说,他作品的主要方面是导演和作者不以粗制滥造的方式讲述线性故事,而是指冷漠的美学。在这种冷漠中,喜剧获得了最大的范围——到目前为止在阿根廷的独特地位。
Federico, is in his mid-twenties and lives alone in Bueno...
Luisa experiences a range of emotions in dancing with Ernesto. She wants to give in and also run away. She wants to cry and also cherish her joy. Is it convenience or love A single mother to twin girls, Luisa struggles to rebuild her life after the loss of her husband and brother in a car crash. Ernesto is everything she needs and yet he is also smothering. Luisa starts to tal...