“贾丝婷·克拉克” 共找到 “11” 个相关影视
WildlifeERSeason2
The second season of Wildlife ER continues to follow the dedicated professionals and volunteers on the front lines of rescuing and caring for sick and injured wild animals in Australia’s busiest wildlife hospital. The heartwarming episodes capture the love and chaos at the RSPCA Hospital in Brisbane where the team performs life-saving treatment on animals like koalas, kangaroos...
WildlifeERSeason1
Wildlife ER offers a rare insight into the care and treatment of sick and injured native animals at Australia’s busiest wildlife hospital. Across six engaging episodes, we follow dedicated professionals and volunteers as they work to save iconic and often endangered species that are struggling to survive human encroachment into their habitats.
From dramatic rescues, through to ...
饿鬼
When a powerful amulet is broken on the eve of the Hungry Ghost Festival in Melbourne, a vengeful spirit is unleashed, bringing the dead with him. As they wreak havoc across the Vietnamese Australian community, reclaiming lost loves and repaying old grudges, a young woman who's never taken responsibility for who she could be, must finally step up and accept her destiny.
日本故事
《日本故事》的愛情相當虛擬，也正是因為虛擬才令人響往。暫先丟掉跨國文化及亞澳糾結的歷史情結，想像一位日本男孩和澳洲女人的性愛場景。是的，這部電影充滿愛情電影及沙漠電影的陳腔，但黃男孩與白女人的性愛場景的虛擬讓這部電影不至成為爛調。
這部澳洲「國片」的幕後故事可以讓像我愛講古或愛賣弄政經分析的「學者」分析個老半天，尤其是不同的讀者絕對會有不同的解讀，但再怎麼說，這是個在風景瑰麗的愛情故事。獨特的是這個「國片」所拍的近赤紅的美麗沙漠，和黃男孩與白女人的感官情愛，這兩者都是未開發的電影處女地。這兩者-地景與性愛場景-分別都是「第一次」進入視覺化的消費，合在一起更是虛擬到不行。這部電影的開端，本身就是虛擬的，根據澳洲國片最大的**支持者，澳洲影片委員會(Australian Film Commission)的主席親口透露 (我上課聽其演講)，這部電影是從...
