“Maurício do Valle” 共找到 “8” 个相关影视

李小龙大战基势力
正片

1975  

10

李小龙大战基势力

  The original title of this Brazilian Kung Fu and Capoeira comedy is Kung Fu Contra as Bonecas. The director Adriano Stuart stars as a Chinese martial artist who takes revenge on the homosexual bandits (or cangaceiros) that killed his parents. Also stars Maurício do Valleand and Dionísio Azevedo.

SelvaTrágica
正片

1964  

5

SelvaTrágica

  In a company trading maté, workers are treated as slaves. Some of them try to escape, but those who are caught suffer severe punishments.

奥古斯托·马查加的回归
正片

1971  

9

奥古斯托·马查加的回归

  Augusto Matraga is a violent agressive farmer who after being betrayed by his wife and trapped by several enemies is bitten up and left for dead. He is rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple Augusto Matraga turns to a religiosity a long time neglected, believing he is atoning for past sins. Then...

GlauberRocha-Morto/Vivo
正片

1981  

1

GlauberRocha-Morto/Vivo

  A TV documentary that covered the funeral of Cinema Novo film director Glauber Rocha, showing the commotion of attendees, paying their last tributes to the genial filmmaker. Also presented here are interviews with the director and clips from his works.

安托尼奥之死
正片

1969  

2

安托尼奥之死

  Antonio of the Death is a "cangaceiros" killer. Cangaceiro is the local name for a popular leader. Antonio is hired to kill the one who seems to be the last one in the Pirahna's Valley. This man is being followed by a strange woman who is considered a Saint. Once Antonio has killed the Cangaceiro, he changes his way of thinking when listening to the Saint's words.

大地的年纪
正片

1980  

4

大地的年纪

  巴西电影大师格劳贝尔-罗恰最后一部作品,网上的版本由我的一些阿根廷朋友在共享。《大地的年纪》绝对是一部伟大的作品,也许是罗恰最具雄心的一部电影了,资本主义、军事独裁、帝国主义、革命斗争、马克思主义、种族主义、宗教信仰、神话传说、民间诗歌、政治隐喻、先锋实验。。。几乎所有在罗恰的电影中曾经出现过的主题都包含在其中了。这部影片是巴西新浪潮的最后一声回音,也是第三世界电影最强有力的一次呐喊。
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黑上帝白魔鬼
已完结

1964  

10

黑上帝白魔鬼

  故事发生在巴西东北部,一名工人出于自卫杀死了老板,开始逃亡。一路上他目睹地主对农民的残酷剥削,便发奋当了一名侠客兼土匪,宣传暴力革命,还土地于人民。这是一部非常暴力的政治影片,其主题和倾向非常明显,但片中融合了大量民俗的元素。
  本片被众多评论家誉为是巴西电影史上最重要的一部电影。这是一部刻画人物生动的,给人深刻不灭印象的电影杰作,多来一直被认为是巴西乃至整个南美电影史上永恒的一部杰作。